005. Marianne Von Werefkin: Nighttime Fishing in Ascona
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My copy of Night Fishing in Ascona |
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Marianne von Werefkin - Nighttime Fishing in Ascona |
Back in I think 2013 I was in Vienna and there was an exhibition including some of her work. I can remember being struck by the use of colours and her figurines. The reason I choose to copy this piece was; I have seen mountains at night. I 've seen a town with brightly coloured buildings at night, I have seen towns by a lake at night, but never all together.
I am jealous of painters who use colours like this and I wish I could see the world that way, so for me, it was quite an interesting task to undertake.
When starting a piece I like to get some colours down as quick as possible to try and get a feel and then start correcting and sorting out where everything should be. Working on this I noticed a natural flow. I don’t know if this has anything to do with the original being Tempera, but it felt to me that it was painted in passes of colour, especially the water.
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Chuck down some colour and hope for the best |
I also bought some glazing fluid to work on this - just a piece of advice, if you are going to use glazing fluid use it from the start not halfway through.
This was definitely a milestone on my journey to copy 100 paintings. I realised that I needed to start taking better care of my brushes as I had pretty much destroyed most of them by this point. I was using a couple of jars of water on my bench, but I swapped one out for one of these which I can highly recommend. The main advantage it offers is being to keep your brushes damp but not soaking in water. I also bought a soap bar as well which when cleaning my brushes at the end of a session, I can reshape the brush by rolling across the surface.
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Far better than a jar of water |
Finally, as part of this process, I am hoping to find what my own personal style of painting might be. After finishing this and as much as I enjoy looking at colourful work, I am fairly certain this is not my style.
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